View phone numbers, addresses, public records, background check reports and possible arrest records for Elana Herzog. Join Facebook to connect with Elena Herzog and others you may know. She has a BA from Bennington College and an MFA from Alfred University. Join Facebook to connect with Elana Herzog and others you may know. "Devotion/Destruction: Craft Inheritance," Dorsky Gallery Curatorial Programs, 2016. (As the title suggests, Herzog, like Freud, finds the Unconscious a compelling cultural signifier.) "Aggressively Eloquent,", Gschwandtner, Sabrina. Elana Herzog: For many years I have used material culture to consider aspects of ephemerality, entropy, pleasure and pain, attraction and revulsion. Ofta använder hon brukstextil – sängöverkast, draperier eller disktrasor – till sina verk. BIO. 22h x 30w in (55.88h x 76. [30][17] Art in America's James Hyde described the zigzagging remnants as "intimate and architectural, delicate and rough," unconventional drawings with "juicy" surfaces of liquid-like fabric, glistening embroidery-like staples and dislodged chunks of sheetrock. "[14] Thematically, Herzog's conversion of household castoffs into minimalist art raises questions about value, ownership and high- and low-culture conventions of taste and beauty;[15][16][17] Review Magazine describes her work as a "conceptual, emotional, and gutsy" alternative to most fiber art, which leaves viewers to conjecture on associations between women, fiber and gender stereotypes, the destructive capacities of the creative process, and the layering of history. "Dislocations: A Conversation with Elana Herzog,", Schmerler, Sarah. Auction Records. Between 2012 and 2016, Herzog lectured at Yale University. "Textilpraedir ur ysum attum,", Frid, Dianna. "Elana Herzog; The Carpet Paradigm,". Toronto, Ontario, Canada. As I work I am building a language that is formal and abstract, as well as directly evocative of cultural and emotional experience. Tenant Screening. Elana Herzog is a mixed-media installation artist who has exhibited widely nationally and internationally. [29], Herzog began working in handmade paper after a residency at the Dieu Donné Papermill in Manhattan (2008–9) suggested similarities between paper production and her own processes of deconstruction and reconstitution. [38][39] She then deconstructed them through a process of shredding, pulling and cutting; the remaining fragments maintained the rectangular formats of her sources in ghostly, afterimage-like forms that dissolve distinctions between figure and ground. [11][12][13] Artcritical editor David Brody writes of that process: "Herzog's ambitiously scaled compositions are built up from small, provisional decisions—unruly brushstrokes, in effect—that coalesce into powerful storms of texture. Her installations are characterized by a mix of rigorous hard work and playful, context-sensitive experimentation, in which the labor-intensive "making" (literally hundreds of hours of sheet-rock building, pneumatic stapling, ripping, shredding, and un-weaving) is ultimately subsumed into a final product that is so light-on-its-feet that it almost seems to dissolve. Elana Herzog lives and works in New York City. McFadden, David Revere and Jennifer Scanlan, Jennifer Steifle Edwards. [40][11][2] Critics suggest that Herzog's disintegrating imagery and hands-on, violent process of de-materialization both acknowledge and undermine relationships to late-modernist and domestic-craft traditions, while suggesting geological-archaeological and historical themes of impermanence, decay, erosion, memory, absence and presence. For the last two decades, she has reveled in creating immersive situations that obliterate distinctions between old and new, common and precious, in process and completed. [47][14] Hyperallergic compared the show's elements to "precisely arranged shreds of viscera and lopped-off limbs" that offered a "witheringly beautiful meditation on the murderous elegance of fate. "[36][25][11], Art in America critic Nancy Princethal, however, relates Herzog more to postminimalists, such as Mary Kelly and Richard Tuttle—for her focus on formal-spatial properties and exploration of the limits of the acceptable in art—than to contemporary artists engaging domestic materials in debates over "women's art" (e.g., Untitled I, 1996)[26] For the installation The Carpet Paradigm (1998, Wesleyan University), Herzog strewed thousands of square feet of diverse carpet remnants throughout an architecturally altered exhibition space; writers compared the layered formal effects to color field painting and the abstract landscapes of Richard Diebenkorn, while noting allusions to the obsolescence of design and the discard of cultural products in the work's appearing and disappearing patterns. View Elana Herzog’s profile on LinkedIn, the world’s largest professional community. 20w cm) [33][11], Herzog expanded her themes and formal ambitions in four subsequent installations. This page will put a light upon the Anna-Elena Herzog bio, wiki, age, birthday, family details, affairs, boyfriend, controversies, … Herzog was the 2012 Fellow of the Saint-Gaudens Memorial in Cornish, New Hampshire along with a solo exhibit. [59][60][51] She has been a visiting artist, lecturer or instructor at Parsons School of Design, Cooper Union, Rhode Island School of Design, Pratt Institute, New York University, The New School, and School of the Art Institute of Chicago, among others. [6][7][8][9][10], Herzog's installations blur distinctions between two-and three-dimensional media, eliciting comparisons to late-modernist painting and drawing, yet they also upend that tradition through a subversive, deconstructive process that emphasizes ephemerality and fragility. Pristoop, Rebecca. Less is decidedly more for Herzog, who often prefers to let what is Not there speak for itself. "Elana Herzog, Shredding Domesticity,", Princenthal, Nancy. Untilled, 2012, Handmade cotton paper, textile, 17 x 11 inches. Learn more about Elana Herzog . [2] In Plaid, Herzog shifted from pictorial formats to bolder sculptural configurations of built structures and surfaces seemingly invaded by patches or shifting three-dimensional grids of stapled brown wool. [23][24][11] Her first textile work, Rapunzel (1990), featured a long, knotted piece of sheer fabric that hung below an altered, used wooden table and snaked along the floor;[20] in 1995, The New York Times likened her installation of elastic-ringed fabric pieces at the Islip Art Museum to a chamber colonized by caterpillars and candy-striped cocoons or pajamas gone berserk. And recently, at the Tegnerforbundet Gallery, in Oslo, Norway, the artist reconfigured a single child's woolen winter jacket into a reductive, Minimalist composition of vertical lines surrounding the gallery desk. She is an actress, known for Die Pfefferkörner (1999), Alphateam - Die Lebensretter im OP (1997) and Ein Mann steht seine Frau (1997). [18][17] She extended this linear work into the gallery space and its built structures in the shows "The Jewel Thief" (2010, Tang Museum) and Into The Fray (2011, LMAK Projects, solo). At the Humanities Gallery at Long Island University, in a work titled "The Return of the Repressed," she layered the floors with lush Persian carpets that had been cut out and reassembled (this for a show inspired by Sigmund Freud's office in Vienna, where Persian carpets were much in use during analysis) only to reconfigure them yet again at other venues. Elana Herzog is known for installation art, textilels, sculpture, abstract domestic imagery. "The Aftermath of Warp and Weft,", Princenthal, Nancy. Whether they are unique works on paper made out of pulp and fabric, or single-wall panels, or whole rooms, Herzog's output is honest, transformative, colorful, tactile, fun, serious, and inviting. [42][11] At the Herbert F. Johnson Museum (2006), she reconfigured that work alongside carpets and art from the museum's own collection to further those themes. "Elana Herzog at Black + Herron,", Castro, Jan Garden. My current focus is on the global migrations of culture and technology as seen through the lens of textile. Elana Herzog. Elana Herzog is an American installation artist and sculptor based in New York City. [19] In the 1980s, she worked a variety of blue-collar jobs, including electrician's apprentice, mechanic and construction worker, while producing mixed-media sculpture out of a studio in Williamsburg, Brooklyn. Recommended Cities. [17] W(e)ave (2007, Aldrich Museum, with sound artist Michael Schumacher) and Plaid (2007, Smack Mellon) signaled Herzog's growing architectural and spatial engagement. Her GAGA exhibition featured six sections of a shredded red bedspread embedded in panels that she integrated with gallery walls to suggest pieces created in situ, rather than modular units. Check out other popular news on News Break. She dangled carpets, new and old, from the balcony above the public's heads, and reduced her own Afghan carpets to bare, spine-like skeletons of staples on the wall shot through with flimsy strands of yarn. by Elena Goukassian October 26, 2017 March 17, 2018 A new ballet in Brooklyn invited artist Elana Herzog to work in the theater for the first time, and the multifaceted work premiers this week. Herzog was awarded a Guggenheim Fellowship in 2017 and the Anonymous Was a Woman Award in 2009. Overview . She has recently returned from Tbilisi, Georgia where she produced a large project, funded in part by the Foundation for Contemporary Art Emergency Grant, for Artisterium 10, an annual exhibition of international artists. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. Seems there's no news about Elana Herzog. The Aldrich Contemporary Art Museum Elana Herzog Exhibition Installation February 26 - March 11, 2007. The former featured the installation, Romancing the Rock, which New York Times critic Holland Cotter described as lines of ripped fabric that "appear to be burning, like corrosive acid in the cube they're stapled to. There are 3 professionals named "Elana Herzog", who use LinkedIn to exchange information, ideas, and opportunities. Elana Herzog is an artist's-artist with a devoted following among practitioners, curators, and independently minded collectors for her singular ability to marry soft materials with obdurate institutional walls, and her sixth sense for finding the beauty and 'voice' within mass-produced fabrics. At the Herbert F. Johnson Museum, Cornell University, Ithaca, Herzog was invited by the curators to essentially de-stabilize their permanent collection and she responded with an exhibition called "Civilization and its DisContents" in which (among other things) the museum's own collection of carpets and fine art commingled with hers. people phone Whitepages people search is the most trusted directory. Herzog delights in the de-materializing of form, only to embed those broken-down forms into larger contexts like museums and institutions to see what meaningfully joyous havoc they will wreak. The most recent article is Joan Mitchell Foundation Names 2020 Artists-in-Residence written for the ARTFORUM in January 2020. "[47] In Valence (2014, The Boiler), Herzog created two overlapping, 17' x 24' surfaces of tattered fabric, staples and paint inspired by the Bauhaus textiles of Anni Albers—one supported by steel shelving posts leaning against a massive brick wall and the other mounted directly to the brick. [51][32][52] In 2009, she was invited by the publisher Gervais Jaussad to produce an edition of twelve unique artist books pairing her work with poetry by Jerome Rothenberg. [55], Herzog first foregrounded her works on paper in the show "Plumb Pulp" (2014) at LMAK Projects, which featured books and pieces framed and pressed between glass and backing board that conjoin textile fragments and wet paper pulp into a single substance. Find the latest shows, biography, and artworks for sale by Elana Herzog Born on , , Anna-Elena hails from , , . She has exhibited nationally and internationally, including at the Broo… She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. John Simon Guggenheim Memorial Foundation. As in 2020, Anna-Elena Herzog‘s age is * years. For the last two decades, Herzog has been the subject of museum surveys and solo exhibitions in over 20 cities in the U.S. (including her native New York City) and numerous cities in Europe. See more ideas about herzog, textile art, fiber art. W(e)ave featured lacy white bedspread fragments embedded on custom-built walls; Nancy Princethal wrote that the ghostly floral fragments suggested faded memories of the one-time 18th-century residence's eroded decorative motifs. Herzog has been recognized with artist residencies from the MacDowell Colony, Sondre Green Farm (Norway), Albers Foundation, Gertrude Contemporary Art Spaces (Australia), Marie Walsh Sharpe Space Program, and Farpath Foundation (France), among others. Buy / Sell. From CUE Art Foundation Benefit Auction, Elana Herzog, Untitled (2015), Paper pulp, linoleum printed paper, textile, 12 × 14 1/2 in Elana Herzog consistently makes and unmakes objects, ripping and cutting textiles and carpets and situating them in and against specific gallery and museum architecture. Read the artist bio and gain a deeper understanding with MutualArt's artist profile. [12][31][41], Herzog first exhibited this work in shows at the Kohler Arts Center and GAGA ("Projected") in 2000. Recommended. Elana Herzog, partial view of Return of the Repressed, 2012, carpets, wood and composite materials, fabric, metal staples, dimensions variable. Elena Herzog (née Pisetski; born in 1970) is a Russian-American visual artist and photographer. Canadian-American. Elana Herzog is an American installation artist and sculptor based in New York City. Birth Place. [21], After turning to textile-based works in the 1990s, Herzog attracted growing attention with several site-specific installations, group shows at White Columns, Hofstra University and the Brooklyn Museum, and solo exhibitions at Black + Herron, Momenta Art, and P.P.O.W. [28][9][29], Herzog's art has been described as a mix of visceral color and texture, formal rigor and whimsy[30][1] that balances between decorative beauty and violence and "ruin and monument. Anna-Elena Herzog was born on July 12, 1987 in Germany. Created with Sketch. 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